Ethan Hawke

I like your boyfriend, he sounds great. And yes it's really me.

proof

BTW it looks like you deleted your initial reply but here's what I wrote:

What I like about the movie is it operates as an allegory. It's set in the "future" when rich people don't care about the violence done to poor people. All good genre films to my mind should have a subversive, anti-Government, punk rock sensibility. For example, THE WARRIORS, ESCAPE FROM NEW YORK, THEY LIVE, THE THING... it should never just be scary. It should be scary plus give you something to think about. And if you can watch THE PURGE and watch that young African-American run for his life through a gated community and not think of Trayvon Martin, then you will definitely miss the point of THE PURGE.

You know, I've never worked with Spike Lee, and I just think he is one of the most interesting filmmakers around. Time has proved him to be the real thing. But the truth is that if I could only make one more movie, and I could make it with anyone in the world, I would really want to make another movie with Richard Linklater. Ever since I saw SLACKER, and DAZED AND CONFUSED, I feel like he's had a very rare and unique voice in movies. And as an actor, that's always the highest bar, to be a part of something that could feasibly be original. That's the hardest thing to accomplish.

1) What inspired me to become an actor? I saw Gary Sinise and John Malkovich do Sam Shepherd's play TRUE WEST on PBS when I was 13. And I can only describe the feeling as the way I hear people talk about Marlon Brando do STREETCAR; I felt like a door in my brain had been opened.

2) My first big acting gig was EXPLORERS; we have our own spaceship. And I auditioned for it on an absolute lark, and much to my parents' dismay, got the part. And did it turn out better than I thought? No... I thought it was going to be one of the greatest films of all time, you know, making ET look like a minor gameshow. And - point in fact - it wasn't out a whole weekend and I went from the envy of my peers to the butt of all their jokes in a very hot second. But in hindsight, I can honestly say that nothing better could have happened to me. A) it prevented me from being a child actor; B) it prepared me for the inevitable failure that comes in a life of the arts and if you can't handle it you have to get out quick.

3) To my mind, Denzel Washington is the greatest movie star of our time. There's nothing he can't do. And TRAINING DAY is for me like threading a needle; it's very difficult to make a hit movie, and it's very difficult to make a good movie, and very rarely can you accomplish both at the same time. And Denzel does it over and over again.

4) Best experience has to be the BEFORE series, just because I was involved in the writing of those movies, and they become intensely personal for me. The worst, you never want to talk about because it gets overly quoted on the internet as soon as you say something bad about something or someone, it's all anyone wants to talk about. But I spent many lonely months and years in hotel rooms feeling like I was making a piss-poor movie and been depressed about it.

5) Is it okay if I say Leonardo DiCaprio? Because I know he's crazy famous and everyone wants to work with him, but I admire tremendously the way he has handled his celebrity. After the success of TITANIC, it would have been very easy for him to wind up another drug-addled casualty on the Hollywood Strip; but instead he's dedicated himself to making great films and doesn't he need an older brother? Or a bad guy? Isn't there a role for me somewhere?

It was me and River Phoenix and Jason Presson.

I will always have a soft spot for Tang, no matter how vile it tastes, because when my father and I used to go camping, for breakfast we would have granola bars and Tang. For lunch we would have wolf's chili and Tang. And for dinner we would have hot dogs and Tang.

First up, I guess I should tell people what BOYHOOD is. It's a project also known as THE TWELVE YEAR PROJECT; Richard Linklater and I have made a short film every year for the last 11 years, one more to go, that follows the development of a young boy from age 6 to 18. I play the father, and it's Tolstoy-esque in scope. I thought the BEFORE series was the most unique thing I would ever be a part of, but Rick has engaged me in something even more strange. Doing a scene with a young boy at the age of 7 when he talks about why do raccoons die, and at the age of 12 when he talks about video games, and 17 when he asks me about girls, and have it be the same actor - to watch his voice and body morph - it's a little bit like timelapse photography of a human being. I can't wait for people to see it.

Next year, he will graduate high school and we will finish the film. It will probably come out in 2 years.

In regards to your compliments on the BEFORE series, I wish you could see MIDNIGHT in theatres. Is it money, health or distance that keeps you from going out? Thanks for your support. If you like the first two, I feel pretty confident the third one will be worth your time.

My pleasure, great!

I own an 8 acre island off the coast of Nova Scotia; there are eagles, and seals, and raccoons, and pine trees for days. Believe it or not, land is actually quite affordable up there, and it's still rugged and un-gentrified. The people are straightforward and a pleasure to be around; I try to take my kids up there at least once a year. It's a place to disappear in the many times in my life when I've needed to.

That's a funny question, and deserves to be answered. One does not shop for an island; I have friends in Nova Scotia, and often visited them, one of whom was an older woman who could no longer take care of her island, and she asked if I would buy it. A closet in Manhattan costs more than an island in Nova Scotia. So I answered yes. And I'm happy I did.

I just need a few henchmen. Apply on Craigslist.

There's a scene when my character Jake in TRAINING DAY is left for dead with a Mexican cholo gang; that still haunts my dreams sometimes. Also...

People don't ever want to hear this, because it destroys the fantasy, but anytime you have to kiss anybody, it's never stopped being strange.

When we set out to make BEFORE SUNRISE, Julie and I had a lot of apprehension about the level of dialogue Linklater wanted to be in the movie. "Nothing's happening! Shouldn't it at least be funny? Is this boring?" and Rick answered that he'd never been in a helicopter crash, he'd never been involved in any espionage, he'd never been to Outer Space, and yet his life felt full of drama. And the most dramatic thing that ever happened to him was the experience of truly connecting with another person. And he really wanted to try to make a movie about that, about that connection, about that exchange of energy, ideas, and all the dialogue in BEFORE SUNRISE, SUNSET and MIDNIGHT is chasing that connection. So whether it's about politics, love, identity, spiritual yearning, sex - anything at all - it's written with the goal of trying to uncover "the space between" two people.

Write every day. Not every other day. Not tomorrow. Not after the party. But before. The more you write, the more comes out of you. If you don't give inspiration an opportunity, it will never arrive.

The fun of any futuristic movie is giving over to it. If i could fully imagine the alarm systems of the future, I wouldn't be an actor.

If you had told me at the wrap party for BEFORE SUNRISE that I would still be talking about this movie 20 years later, I would have thought you were insane. We knew we had a special experience, but I definitely thought it was over. After the second film, I did kind of feel that we had left something unfinished, and that's why I'm enjoying the release of BEFORE MIDNIGHT so much - I've been worrying about it for 9 years.

The approach has been incredibly consistent; the whole way we've worked on the movies has almost been like there was no time in between them at all, in fact they started to feel like one film in my head.

Sometimes I think yes, sometimes I think no - we really won't know until about 5 or 6 years from now. I'm sure Rick and Julie and I will get together, and either we will have a shared sense about what's happened to Jesse and Celine, or we won't. I just won't know until then whether we're going to feel compelled to make it. They're an incredible amount of work, so I know none of us will embark on it if we don't have a good idea.

That film - GATTACA - is made by a man named Andrew Niccol. He wrote THE TRUMAN SHOW, IN TIME, and another movie I did called LORD OF WAR - a lot of people haven't seen LORD OF WAR, but to my mind it's a brilliant movie. I have a small part in it, but Nic Cage is phenomenal, and so is the writing.

Agreed, I think it is one of the great opening shots of all time.

It will always be one of my greatest honors was to act in Sidney Lumet's last film. It was such a strange experience to be directed by a man who directed Marlon Brando in his prime, who directed Al Pacino in DOG DAY AFTERNOON, Faye Dunaway in NETWORK...

If you're really interested in his advice, he has a really wonderful book called MAKING MOVIES; I remember I read almost the whole thing on the floor of the Barnes & Noble here in Manhattan when I was about 20 years old. He has a very no-bullshit approach; he talks about making movies almost the way one would talk about building a home. No fanfare, no mystery, just brass tacks. And he pushed Phil Hoffman, Marisa Tomei and I to some of our finest work, and all of us are grateful. And if I had to boil his advice down to one thing, it would be preparation.

Well, my name is Ethan Hawke and I'm not a meth head. But the username "ethanhawke" was taken.

My kids and I always have a debate about if the positives outweigh the negatives. Great seats to the Nicks game vs. being hounded for autographs at halftime. Every give has a take. For me, the blessings far outweigh the curses. I consider it a kind of luxury tax. For my family, I think it's more difficult; they don't get to work with Denzel Washington and Sidney Lumet, but they still have the paparazzi.

If I could do anything without repercussions, I would become the world's biggest badass, most fierce environmental terrorist. I would make all the bastards who profit from destroying our planet regret the day they were born. Think natural-born vigilante.

Thank you!

I imagine that it would be easy to think that Julie writes her dialogue and I write mine; the truth is that the three of us, Richard, Julie and myself, sit in a room for somewhere around 10-12 weeks and talk about Jesse and Celine. We talk about where they might be developmentally, and Julie has helped construct Jesse as much as I've helped construct Celine, and Richard is a big part of both those characters as well. In the first one, we largely wrote our own dialogue, because there was a pre-existing script, but in the second and third, the three of us, from outline-forward, were a part of every line.

The most memorable scene was the "I sound my barbaric yawp from the rooftops of the world" scene; I had to make up a poem in front of the classroom, and it was the only time I really had to "work" with Robin Williams. And I feel like it was the first time I was ever really challenged to act.

I think I've already answered what actor I would like to work with - Leo! - but thank you for your questions.

Well, did she like EXPLORERS?

Regarding GATTACA, the scary thing is how prescient it's turning out to be, in that its primary statement that seemed radical at the time that we made it was that in the future our identity - our place of work - would be more powerful than our identity to any country. And more and more, I see that happening, where there are a handful of corporations that determine the choices of our life more than our presidents and prime ministers. And then obviously genetic discrimination, which is becoming a wildly interesting subject matter. I'd like to recommend Andrew Solomon's book FAR FROM THE TREE - it's an excellent book on the subject of how our differences are what make us human, and what we perceive as disability is quite often something very different.

Well, the funny thing is, I've been working on 3 different projects over the past 10 years writing-wise, and that's why it's taken me so long to finish. I have a novel that is almost done, I was worried I'd published ASH WEDNESDAY too quickly after THE HOTTEST STATE. I think I was too anxious to prove to myself that I wasn't a dilettante, and I wrote the second book a little too quickly. I've challenged myself on the third to take more time with it. Four kids have challenged me too. But I will finish my third novel this summer.

Simultaneously, I've finished a YA book that will come out soon as well. I've been writing the text for a graphic novel that Greg Ruth will illustrate- he did an amazing book called BORN ON THE BATTLEFIELD.

So I've been working on these three projects for the past 10 years, and I haven't finished any of them! But I'm working on it. I try to challenge myself to simply keep a journal, and to write a little bit every day, whether I'm making a movie or not making a movie. That way, when I do have time, when I'm not working as an actor, I have material I can draw from and start to work with.

Well, my favorite Austin musician is Guy Clark, one of the great songwriters in country music. A real Austin hero. But goddamn, there are so many great bands, it is hard to say.

There's a cool indie band from Philadelphia called The Blood Feathers; they're not from Austin, but I would like to give them a plug, they are terrific.

I'm kind of obsessed with Nic Cage. I just found out about /r/onetruegod too. He's the only actor since Marlon Brando that's actually done anything new with the art of acting; he's successfully taken us away from an obsession with naturalism into a kind of presentation style of acting that I imagine was popular with the old troubadours. If I could erase his bottom half bad movies, and only keep his top half movies, he would blow everyone else out of the water. He's put a little too much water in his beer, but he is still one of the great actors of our time. And working with him was an absolute pleasure. In fact, one of my favorite scenes I've ever done is the last scene in LORD OF WAR.

When I first met Phil, he was often the reader when I would go in to audition for something - the kind of actor that wasn't going to get the part, but he was good, so they hired him to read with all the other guys auditioning. He was intimidating then, and he's intimidating now. What a lot of people don't know about him is that he's a member of the Labyrinth Theater company here in New York, and is a truly phenomenal theatrical director. His production of THE LAST DAYS OF JUDAS ISCARIOT is one of the best evenings in the theatre I've ever spent.

I have no recollection of yelling at anybody with a dog or without a dog. I agree with the other person that I was probably saying hi.

River was one of those people that had that strange magic glow around them; he could drive you crazy, or make you fall in love with him, sometimes in the same minute. I remember knowing he was special when in the first days of filming EXPLORERS - we were staying in a motel outside of San Francisco, and I saw him practicing his character's walk in the parking lot one of the mornings before shooting began. Uncommon behavior for a 13-year old. He had a big, beautiful family, and was the first vegetarian I ever met.

Well, thank you, and I think one of my favorite acting experiences is something unfortunately in Denver you woudnt have been able to see, but I did a new Sir Tom Stoppard play called THE COAST OF UTOPIA - that we only performed in its entirety a handful of times as it's 12 hours long (with several intermissions). We would start performances at 11 AM, and we would do our curtain call at 11 PM. There was a lunch break and a dinner break, obviously, but it was about the mid-19th century Russian radicals; you could read it, but Stoppard is one of the few no-nonsense geniuses I've met in my life, and it was a pleasure to be in the rehearsal room for 9 months. If you read it, I played Mikhail Bakunin and Billy Crudup played Belinsky.

Well, thank you - anybody who likes TAPE is a friend of mine.

You know, I feel the same way - my hope is that that movie was going to be much more successful than it was. The guys who made it, the Spierig Brothers, are two young men who are crazy-talented and when we started shooting that movie, TWILIGHT hadn't come out, TRUE BLOOD hadn't come out, I was excited because I thought it was time for a new vampire film. little did I know, but by the time the fx were done, vampires would be passe. We had a hope that DAYBREAKERS would be our MAD MAX to a much better film that could be THE ROAD WARRIOR - because those guys, if ever given a big budget, could really accomplish something major I think. I just worked with them again, in a film called PREDESTINATION - and I have a secret hope that it's going to be really special. It's based on a Robert Heinlein short story called "All You Zombies" and it aspires to be the greatest time travel movie ever made.

Yes, I have a third novel that is at the publisher's office now and this summer, I am going to dedicate a couple months to proofreading it and getting it ready for you to read. I don't know if I'm going to be revisiting the same characters, but I'm definitely revisiting the same themes.

I know you're supposed to say this kind of thing, but it's one of my favorite films that I've done. I know that audiences have always loved TRAINING DAY, but in many ways, BROOKLYN'S FINEST is the East coast sequel. Antoine Fuqua (who directed both films) has a real special feel for capturing the street. And both Jake (from TRAINING DAY) and Sal (from BROOKLYN'S FINEST) are two of my favorite characters that I've gotten to play; one the good guy, one the bad guy.

GREAT question! As a child actor myself, I'm incredibly sensitive to this and kind of hate acting with kids for all the same concerns that are present in your question. But with a scary movie, it surprised me, because kids love to play. They love costumes, they love Halloween. The kids on-set treated the making of the movie as if we were all doing an elaborate haunted house; think about it, kids love to play Hide & Seek, they love to scare you and each other, and I was really relieved to see them all playing and laughing and understanding the spirit of a good ghost story. It really wasn't difficult for them at all.

Well, I wish you remembered that I was in all 3 plays, it makes me somehow feel that I did a poor job in one of them... As I mentioned before, it was definitely the highlight of a 20 year acting career, and the fact that you were there fills me with admiration for YOU because hard as it was to perform them all day, I can't imagine having the power of concentration to WATCH them all day. It was the one time in my life I came out for a curtain call when I wanted to applaud the audience.

You know, we set the opening of BEFORE SUNSET in a bookstore in Paris called Shakespeare And Company, and I think that would have to go down as my favorite place to visit. It's right there on the Seine overlooking Notre Dame and has a long history of some of the great minds in literature passing through the doors, and there's a feel there that is unlike any other place I've ever been.

The thing that really caught me off-guard was how much fun it was to make a scary movie. I'd spent my whole career avoiding them, I think because I thought it would be terrifying to do one. But that's like assuming a comedy would be fun to shoot; it's not, necessarily. There was a real feeling on the set of SINISTER of that goofy, edgy feeling that you get when a friend tells a story around a campfire late at night and everybody gets the chills. It's just as funny as it is scary. You need a good director to make a scary movie. The difference between a moment being terrifying and a moment being laughably stupid has to do with the music and the cutting; I felt in that film a real beneficiary of Scott Derrickson's direction.

You know, that's the greatest myth of acting in movies, is this idea of immortality. In a way, I've found that my theatre performances age less than my film performances, because they only exist in people's memories. When someone comes up to me and says I saw you in HURLY BURLY, their face lights up, and I can see the performance is alive in their brain, right there, and it also means that one day we were in the same room together, we had a shared experience. They might say, it was Christmas night, it was snowing, it started 25 minutes late, and I'll say "I remember" and that evening is very much alive for the both of us. Whereas when I show EXPLORERS to my children, it's obvious to me that film is aging.

Hey, my pleasure, this has been fun! I've never done this before. It's such a relief not to have to answer questions on camera, and to have time to think about it. I always have a panic attack when I'm on one of those talk shows, and the cameras blaring in your face, and you have the pressure to be witty - it makes me want to crawl under a couch.

Well, the answer to "is the movie any good" depends on what kinds of films you're interested in. I personally grew up loving all kinds of films; I loved Cassavete's films, I loved Scorsese Films, I loved Woody Allen films, I loved John Carpenter films, I loved Sam Peckinpah films. If you loved STRAW DOGS and ESCAPE FROM NEW YORK, then you should go see THE PURGE. If getting on a rollercoaster ride is too scary and not fun for you, then you will not like this film. I like it because it's an extremely subversive genre film that is wildly entertaining, and one of the things that makes putting politics in movies so difficult is that I hate watching a film that has a political agenda in it- like I'm going to watch this film and then vote for so-and-so. What's great about genre films, and scifi in general, is you can layer in volatile ideas - class warfare, race, poverty - and you can can talk about these issues in a way that isn't pretentious because they're hidden in a way that keeps you on the edge of your seat. The movie's over, you had a blast, and now you have something to think about.

This is my first day of my life having any idea that this site even exists; I'm having a ball at the exact moment, and I don't know what I am going to do tomorrow. You could really do an interesting scene in a play based on reddit though...

In my downtime, I hang out with my children. I have a 2 year old, a 5 year old, an 11 year old and a 15 year old, so there's always somebody that wants some attention.

Chips and salsa. I could eat it for every meal.

I went to a Kurt Vonnegut reading at the 92nd street Y, because I too am a big Vonnegut fan - SLAPSTICK, GALAPAGOS, SIRENS OF TITAN, and BREAKFAST OF CHAMPIONS being among my favorites. I told him all of this, and a couple weeks later, I got a message from my agent saying I'd been requested to do the reading - I don't know if those 2 were connected, but I imagine that they were. Later I heard via the grapevine that he LOVED that reading and it made me really happy. I remember when we met I told him how much I loved SLAPSTICK and he said it wasn't a very good book.

1) Well, recently, believe it or not, I went into a huge Elvis Presley hole. After not listening to him my whole life, I took my daughter to Graceland and ended up feeling extremely moved by the plight of poor Mr. Presley. And I've become obsessed with his music recently. Generally though Connor Oberst is one of the best singer-songwriters, Wilco is one of my favorite bands, and when in doubt, I will put on a Willie Nelson record.

2) I played the guitar since Robert taught me how to play on DEAD POETS SOCIETY but unfortunately I've never had a lesson since then, so I'm not very good.

3) No... I'm so lucky, so much of what I would do as a hobby I do for my professional life. I love what I do. And I get to shake it up by directing in a movie, acting in a movie, directing a play, writing a book, acting in a play - i've found a way over the years to continue to shake up my job so it remains interesting to me. I'm one of the handful of people who doesn't want a hobby because I'd rather be doing my job.

4) I don't want to say. You know, the things that we want to change about our lives are things we don't want everybody to know, and one of the most difficult things for me was having to learn in front of the public that having a reputation is a double-edged sword. It prevents me from making a first impression. I feel like I haven't made a first impression on anyone in 20 years. There are many things about my life and my behavior that I wish I could change, situations I wish I could have handled better, relationships I could have healed, but unfortunately the earth seems to turn one way and all we can do is try to learn.

Well, I have a dog named Nina and a cat named Rascal. If I had to choose, I'd have to choose the one that loves me back.

I am this day hoping to hear news about a new Andrew Niccol film that he may want to cast me in. I really would like to work with him again.

No, they haven't, but I just looked at his picture and he looks a little bit creepy. Do I look that creepy? One of the things that sucks about getting older is that you start to look kind of creepy...

The whole movie was freaky. The concept is freaky. Every day of the shoot was kind of intense and surreal. Hard for me to pinpoint, but the actor who plays the main villain - Rhys Wakefield - his performance seemed like he was channeling Satan himself. So I would have to say anytime I acted with him.